I've had a lot of fun shooting some extreme close-up stock footage of various things. All was shot on my BMPC4K + old edelkrone slider + target module. I've also put a trailer with an epic soundtrack from Peter Milinkovic together. Check it out!
DaVinci Resolve 12.5 Studio
Blackmagic Production Camera 4K with Yashica ML Macro 55mm
Finished product video of the Gold Well 6x36" Vortex Drop Riffle Sluice Box.
If you don't know what this is, just visit Bernie Makowski's homepage: www.hmresearch.net
Self assignment - product video shoot of a vortex drop riffle sluice box with edelkrone slider and Black Magic Production Camera 4K. Got my ordered Gold Well 6x36 Sluice from Bernie with extras and was so excited that I shot a little video in my studio until I can go out and test it at the creek (freezing cold outside). Superb workmanship - this thing is built like a tank but still lightweight enough to carry it around.
Sequence stock footage clips of the inside of a modern computer hard disk drive with moving actuator arm reading and writing data from the platters / HD Stock Footage Screener
Footage copyright Daniel Schweinert. For licensing please contact me.
More clips on request or here: Pond5
Music Are You H.u.m.a.n - (Skrillex Style Dubstep)
Publisher Dynamic Audio
Composer Justin Crosby
Licensee Daniel Schweinert
I’ve bought an edelkrone SliderPLUS PRO XLarge with Action and Target module for my BMPC4K. I’m really happy because this compact and cleverly designed system allows me to create some very nice motion controlled shots. With the target module it also does fixed point shooting and much more. Though in "Target Mode" the footage needs some post stabilisation to get 100% jitter free macro shots. You can see some tests on my youtube channel:
Edelkrone Target Module Jitter Problem (Test 1)
Edelkrone Target Module as Turntable (Test 2)
Edelkrone Target Module Jitter Problem (Test 3) AUTO PAN MODE vs. TARGET MODE
For licensing inquiries please contact me through email or visit my Pond5 portfolio at "danielschweinert"
Yesterday we shot outside in sunny daylight with the BMPC4K and of course I couldn’t see anything on the touchscreen. (And no there was no budget for a SDI viewfinder). Therefore I’ve quickly built a super duper viewfinder from a pizza cardboard. It looks really shitty but it works great! It is collapsible and has also a Swing-Away technology to easily access the touch screen :-)
Heres the link to my PDF tutorial and DXF file if you want to build one too:
PDF BMCC / BMPC4K pizza cardboard viewfinder
CAD DXF file
For a local company I shot a corporate video from pre-production to finishing in just 96 hours on my BMPC4K. For the overall lighting I used my trusted DIY KinoFlo's and for the interviews some of my old dedolights. Editing and grading were done directly in DaVinci Resolve. I was pretty amazed how smooth everything worked in version 11.2.1. Seems like the BMD guys have done some huge improvements. Here are a couple of BTS shots from the set. I also attached my BMPC4K to a Zeiss microscope to shoot some POV of the specimen. I'm afraid I can't share the video because it's used in-house only.
BMPC4K attached to a Zeiss microscope!
Here is my new set of free Neat Video Pro noise profiles for the Blackmagic Production Camera 4K. I've made them using Neat Video's noise calibration chart and fine-tuned the patches by hand. Just unzip them into the "Profiles" folder of your Neat Video for After Effects or OpenFX plugin. I recommend to apply Neat Video as the very first filter applied to the video data.
You can use the noise profiles with Neat Video Pro OFX Plugin for DaVinci Resolve too! Just be sure to set Color Space to BMD Film and Gamma to BMD Film 4K if you recorded RAW DNG's. Also add the Neat Video OFX Plugin directly to the "first" node. This will ensure that Neat Video uses the unaltered footage for noise reduction. Do your primary grading on a new node.
I've made different sets of noise profiles for 4K ProRes 422HQ Film, Full HD ProRes 422HQ Film and RAW DNG. Make sure to use the proper noise profile with your footage to get best results.
Plugin: Neat Video Pro After Effects / OFX
Camera model: Blackmagic Production Camera 4K
Profiles for ISO Range: 200 - 800 (4K ProRes 422HQ Film, Full HD ProRes 422HQ Film & RAW DNG)
>>> DOWNLOAD <<<
After shooting some footage with my new Blackmagic Production Camera 4K I've noticed some unpleasant white hot pixels all over the image. They showed up in lowlight but also in correctly exposed (untouched) daylight clips. Somewhere in an old post I've read that a firmware down- & upgrade may help but there was no confirmation by anyone. Don't know but seems like it was forgotten. Anyway for others with the same problem try it. For me it worked really good!
Blackmagic Production Camera 4K (don't know if that works with other BMD cameras too)
This is exactly what I've done:
1. Take out the SSD and take off the lens.
2. Put the Camera Body Cap on.
3. Connect the power adapter to the camera.
2. Downgrade the Firmware to 1.8
3. Upgrade the Firmware to 1.9.8
See the before & after 1:1 crop above. I don't know if the camera triggers an undocumented internal pixel mapping but the hot pixels are gone and the overall image is now much better! Thats awesome - though I don't know how long it will stay that way. I will see :-)
If that didn't worked for you then there is still an easy workaround directly in DaVinci Resolve:
1. Create a node with a Power Window and resize it to 1.0 and set Soft1 to 0.00
2. Zoom in and move the Power Window directly above the hot pixel.
3. Got to the Blur Palette Effects and set the Radius of the Blur slider to 0.53
4. If you positioned the Power Window directly above the hot pixel it should be gone now.
5. If not try to reposition the Power Window.
6. For each hot pixel create a new node then copy and paste the Power Window. Reposition it on the next hot pixel and so on ...
7. Create a PowerGrade from the whole node structure and use it on other clips with hot pixels.