5d mark iii
I was playing around with the BlackMagic Pocket Cinema Camera from a friend and decided to adapt it to my 1500mm Schmidt-Cassegrain telescope.
The Moon was shot with the Canon EOS 5D Mark 3 + MagicLantern RAW & BMPCC through a Celestron NexStar 6SE. More technical info at the end of the video. Editing and Color Correction done in DaVinci Resolve Lite.
Music Space and Time by ScoreStudio (Pond5.com)
Composer Jonathan Glenville Wright
Licensee Daniel Schweinert
After searching for days I’ve found a promising adapter (pdf datasheet FB4658 VER:1.1) that could work with a special SSD that has an IDE/ATA port already integrated. This adapter is sold in germany through the company ES&S Solutions GmbH. I’ve asked them already and Im waiting for a response. The SSD is an OWC Legacy Pro SSD 2.5“ IDE/ATA and they claim on their page it’s very fast with Read: 285 MB/s / Write: 275MB/s. It is available in sizes from 60GB - 480GB.
In theory this would be fantastic because the CF controller inside the 5D Mark III maxes out at 167 MB/s and this will be sufficient to capture the RAW video data even at higher resolutions than FullHD. I still don’t know if this whole concept will work and also if the adapter pins support UDMA. These CF to IDE adapters are used in embedded PC systems. So if someone has such an adapter please try it out and let me know. Btw. this IDE/ATA SSD needs of course external power.
Just exploring new ideas and developing concepts on how to alternatively capture 5D Mark III RAW Video to SSD. This concept is very broad and applies to all cameras on the market because they work more or less in the same way. Faster and bigger CF cards are coming out soon but the CF controller inside the 5D Mark III is still limited to max. 167 MB/s. Until then Im thinking on how to get to the RAW stream inside the camera the easy way (maybe without opening it at all). I still don’t know if the HDMI LSI is directly behind the MPEG CODEC IC.
It might be a long shot but maybe there is a way to redirect the RAW data to the HDMI OUT port on the camera. I can imagine that Canon faced the same problem redirecting the uncompressed 4:2:2 signal to HDMI with their new firmware 1.2.1.
Canon EOS 5D Mark III can record super high quality 14bit RAW video! This is so AMAZING! I can’t believe it. I knew it all the time that Canon, Sony, Panasonic and other companies are playing games on us by crippling their products intentionally to gain more profit.
Now that Magic Lantern team made the impossible possible (Thank you guys! You’re amazing!) getting super high quality RAW Video from a Canon 5D Mark III we need to find a way to store that huge amount of data. It works with 1000x CF cards but there are still dropouts. Trying to store the data directly to an OWC Mercury SSD bypassing the CF card. When faster cards are available this bulky setup will be obsolete anyway. Still not done yet.
--- UPDATE ---
Need more info about the electronics in this camera. Please contact me if you have the Canon 5D Mark III Service Manual
I’ve just found out that the Canon 5D Mark III includes all „shooting information / metadata“ into the MOV file when you shoot footage. Everything is there Firmware, Shutterspeed, Aperture, ISO, Lens, Focal length, Picture Style with details, Codec, Camera body number, etc. - wow! In previous Canon EOS bodies the metadata was saved only in RAW stills but not in footage clips.
Though, I could only make it visible with Canon Digital Photo Professional (this data didn’t showed up in Adobe Bridge or Premiere CS6). In Canon DPP right click on the MOV file, select „Info“ and go to the „Shooting Information“ tab. There you have it. I’ve tried it with MOV files from older Canon EOS bodies but the Shooting Information tab was empty.
For some of us this info is invaluable if you need to know which camera bodies were used during the shoot or what the exact settings were.
These new powerful DIGIC 5+ image processors can handle almost any task that you give to them - in realtime. They’re built in the 5D Mark III, EOS-1DX and the soon available 4K EOS-1DC DSLR with 8bit 4:2:2 1080p HDMI output. This makes me think that the Canon management told their engineers to cripple the power of the lower end DSLRs like the EOS-1DX, 5D Mark III, 650D by using only a different software. The hardware parts are almost the same if you check the specifications (besides the CMOS sensors). With this faster DIGIC 5+ image processor it should be possible to gain more (or real 1080p) resolution (like the Panasonic GH2) from a 5D Mark III by optimizing the intentionally crippled downscale algorithm.
With the 5D Mark II they introduced line-skipping because the processor was not fast enough to handle the stream of data. Now they advertise the new 5D Mark III does not use line-skipping anymore.
When I see what Magic Lantern has succeeded with their (v2.3 RC2) so far, that we never thought it was possible I can imagine that some very talented programmers could also implement a MPEG variant XF 422 codec at 50Mbit in a 5D Mark III.
The future arrived! Let’s see what happens in the next couple of months :-)